THIS BADGE OF SHAME IS WORTH 0.45 DOUBLE DRAGON ADVANCES Like what? He could easily be shoved off to elvandar and never mentioned again, a la owyn and stardock His survival would have some notable implications for the world when stuff set after Betrayal had already been written, alas. If you will not serve in combat, you will serve on the firing line! His wig game was too weak, he never had a chance. strange? Determined to kill Gorath? Lots of plot suddenly from nowhere?Īnd there seems to be at least one complete LP on Youtube of that.
#Betrayal at krondor dosbox windows#
Loving Windows 3.1 era, DOS games are easier to deal with than this hell. OBS of course refuses to record it on anything other than a display capture. I can either force-set the resolution to something tiny which shows up fine on my screen, but records as about the size of a postage stamp OR I can let the resolution remain un-krangled and have it crash during every cutscene, thus leaving them unrecordable. Well poo poo, I hope someone has all the cutscenes for Antara up on YouTube. Spewing insults, pissing off all your neighbors, betraying your allies, backing out of treaties and accords, and generally screwing over the global environment? I'll be honest and say I haven't read those books, so if they change the perspective, I'll acknowledge that I might be wrong. Psion fucked around with this message at 19:53 on Dec 14, 2021 At least the depiction of a non-Kingdom culture wasn't quite as hosed up as in Prince of the Blood? The entire plotline with Kevin especially, about as much of an insert character for the concept of Kingdom Nobility as Wesley Crusher was for Gene Roddenberry on TNG. There's a lot to unpack in the Empire trilogy but the main arc consisting of Mara rejecting traditions wasting good people and eventually realizing that means rejecting the concept of slavery entirely kinda speaks against that interpretation, no? Like if there's one sentence to describe Empire it's Mara rejecting a profoundly hosed up culture and working to change it - first out of desperation but then eventually out of revulsion over how broken it is.Īre there problems galore in the details from start to finish, absolutely and completely yes. In general Feist very much seems to try and portray the whole Empire vs Kingdom conflict as "it's just a few dickheads jockeying for political power, the Tsurani are actually good people " despite the fact that they are INSANELY warlike, keep slaves, use slaves and prisoners for lethal bloodsports for their own entertainment, etc. PurpleXVI posted: But it still feels like Feist portrays most of Kelewan's slaveholders as "alright," rather than abusive pricks, and the Tsurani as a whole as "alright" except for a few bigger assholes in charge.
I tried Return to Krondor in the early 2000, but it didn't stick. Release dates is the way to go, so Betrayal in Antara. So, eh, consider it a big handwaggle from me on which is the better game. The game balance is also slightly less screwed, though I do seem to recall finding a few spells that completely broke the game when I played it. Not in a way that necessarily makes a huge difference, but it makes your presence as a player feel a bit more relevant.
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two points in the game where you get to choose how to handle a situation. Like, due to some dialogues being possible for up to three different party members(Locklear in chapter 1, James in chapter 2 and 3, Gorath/Owyn in chapter 6), some dialogues either come in for characters where they feel confused or out of character, or they're in character for no one.
Return absolutely has some issues, but it's generally better at having a clear "voice" than Betrayal, if that makes sense. I remember being very annoyed by it as a young Night, as a huge fan of the original. Like BaA is boring and it can't quite pull off what it's trying to do, and it has the issue of trying to introduce its setting while being 'distinct' from Midkeimia, but Return to Kronder is a mechanical and narrative pileup. Return to Krondor is actually a worse game than BaA, I think.
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